Nicolas Baghir
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Selected Works
Passeports Photographiques
Let the world be born again,
too many eyes beset it.
Pierre-Albert Jourdan
Landscapes - on endless fogs a light wavers in questions. A suspended time pours its drops of light. Airy regrets of blues and mauves veil the open space The Greco gray, rustling, is never far. The borders are vanishing. Let the sky flow, the sea in itself. Backs - despite scarification of the backgrounds, the offering is all the more naked. A body creates the space. And the rose, in its dolence, is equilibrium. And always, lights and colors stretched to our eyes like a bowl of hot milk. A fragrance of light. Thought then leads one life and the eye, another.
From the first contacts with Baghir's work, a conviction as powerful as it is sweet reaches us. A shock that does not result from any noisy process. Something intimate to our senses: water for our roots to gorge them with all innocence.
For those who already know his previous works, it will be easy to discern the links that ensure the continuity between the poetic work of Digital Perturbances and the pictorial work of Photographic Passports. The retina of Baghir composes in persistent, elegant, tenuous grace notes. We see as through the folds of an eyelid that would become canvas. The air is dyed with azures and moisture. Nothing stains the light. The air is a bath of colors. Chromatic tenderness. Silence waiting to be broken. Patience of the photographer waiting the moment, spared the painter’s repentance. Just encircled scars.
Passports, finally, so that an eyelid cannot be closed except in an epiphany. Make a clean place, without delay, for the sole sake of this quivering source and chance that flees us. In carnal mornings, the models of the photographer are the officiants, without their knowledge, of this grace. Baghir has never finished soliciting the visual experience. His virtuoso foreshadows what we persist in waiting for, what we would like to learn to receive. In this world that has become difficult to inhabit, Baghir's photographic work patiently lingers at the window like Vermeer's Geographer: "Let the world be born again, too many eyes beset it."
Martine Jobbé Duval
PN - PNC
These images are digital only in name. In fact, Baghir shoots using traditional B&W film and prints with a photographic enlarger on silver gelatin paper. The photographer visualizes his subjects in advance, using his camera and self-designed filters to record the envisioned image as a photograph that is then enlarged without being retouched. An homage to painting as well as black-and-white photography, his works are a study of pictorial beauty, with a subdued, painterly quality that exists in a tangible space outside of direct photographic representation and the fantastic elements of painting. This series was realized over the course of four years in which Baghir took over 15,000 photographs. Each photograph is titled numerically as a means of preserving the imaginative breadth of the image.
His images, quite contemporary, refer to the pictorialist movement in their painterly quality. He works with film and prints on silver gelatin paper, using the traditional process. Named only by number, the blurred photographs retain a sense of mystery in the eyes of the spectator, who often travels far in space and time to a place where freedom from the need for interpretation leads back to the image’s irreducible beauty. The images are above all a study of pictorial beauty, an homage to painting that explore the terra incognita of the photographer’s oniric world
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Biography
Biography
France , 1974
Nicolas Baghir Maslowski was born in France in 1974. Baghir, the photographer’s artist name, was the first name of his grandfather, who died in his native Russia during the Bolshevik revolution in 1917. His father, in exile, emigrated to France as a child and eventually became a writer, giving a small camera to his own son Nicholas Baghir when he was 8 years old. As an introverted child captivated by images, Baghir took his camera everywhere, photographing everything that came into sight to create a personal photographic universe.
His secondary passion was music. In the early 2000s he spent time in Jamaica, meeting several musicians who were more or less forgotten and created the label imprint Makasound/Inna de Yard with a friend. They produced and reedited a number of buried masterpieces, eventually popularizing the Jamaican artist Winston McAnuff in France. Many of visuals for the label’s albums were photographed and composed by Baghir. The label took off and eventually became a division of a major company, but in 2013 Baghir took a chance and made the decision to leave his successful career in the music business, return to photography, and fully pursue his artistic vision.
The artist realized his vision with his current series Digital perturbations, since 2011, after four years of research and 15,000 photos. His images, quite contemporary, refer to the pictorialist movement in their painterly quality. He works with film and prints on silver gelatin paper, using the traditional process. He presented his first Perturbations Numéricales Couleurs (PNC) in 2016 in Los Angeles, then developed his Passeports Photographiques from 2018 onwards (photographs that he inlays into his paintings by playing with reflections when shooting). Since that same year, he has been running his “La Chambre - Hors la chambre” project in a micro-workshop where he manages to express his different artistic approaches through photographic flows that he defines as anti-series. Named only by number, the blurred photographs retain a sense of mystery in the eyes of the spectator, who often travels far in space and time to a place where freedom from the need for interpretation leads back to the image’s irreducible beauty. The images are above all a study of pictorial beauty, an homage to painting and black & white and color photography that explore the terra incognita of the photographer’s oneiric world.
MAIN EXHIBITIONS:
2024 :
Perturbations photographiques, Palais du roi de Rome (Rambouillet)
2023 :
« Dans la tête de Nicolas Baghir », Galerie Catherine Pennec (Clermont Ferrand)
2020 :
« Undercover » | 59 Rivoli Gallery (Paris)
2019 :
Passeports photographiques, Galerie XII Paris
2018 :
Variations 2.18, Galerie XII Paris
2017 :
Artist in residence, Institut Français de Berlin, Germany
2016:
Visions III, Alliance française, Los Angeles
Art ELysées, Paris
Photo Shanghai, Shanghai
Visions III, Artist's Corner, Los Angeles
Les rencontres d'Arles, Galerie Huit, Arles
Art Paris Art Fair, Paris
PhotoLA, Los Angeles
The REEF, Los Angeles
Visions, Photo12 Galerie, Paris
2015:
Swiss Art Space, Lausanne
2014 :
Fat Galerie / Sitor Senghor, Paris
L'ARTISTE
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Exhibitions
Exhibitions and Fairs
2025 | Nicolas Baghir, Images-mémoires | Galerie XII Paris
2024 | Perturbations photographiques | Palais du roi de Rome (Rambouillet)
2023 | Dans la tête de Nicolas Baghir | Galerie Catherine Pennec - Clermont Ferrand
2022 | Moderne Art Fair 2022 | Place de l'Etoile - 10, Avenue de la Grande Armée, Paris 75017
2021 | Regardez danser la neige... | L'Annexe - Galerie XII Paris
2019 | Whiteout | Galerie XII Los Angeles
2019 | Fotofever Paris | Carrousel du Louvre, stand B4
2019 | Photographic Passports | Galerie XII Paris
2018 | Art Elysées - Art & Design | Paris
2018 | PhotoShanghai 2018 | Shanghai Exhibition Center
2018 | The Language ofTrees - Group Show | Photo12 Galerie Paris
2018 | MIA 2018 | Milano (Italia)
2018 | Variations 2.18 | Galerie XII Paris
2017 | MIA PhotoFair, Milan | THE MALL – PORTA NUOVA VARESINE, MILANO
2016 | Visions III | Alliance française, Los Angeles
2016 | Photo Shanghai 2016 | Shanghai Exhibition Center
2016 | NICOLAS BAGHIR / VISIONS III | ARTIST'S CORNER, LOS ANGELES
2016 | Art Paris Art Fair 2016 | Grand Palais, Paris
2016 | PhotoLA 2016 | The REEF, Los Angeles
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Press
